Model of the expression of the modus visual perception in the language world view of I.I. Lazhechnikov

Author(s):  L.V. Proskurnina, Belgorod State National Research University, Belgorod, Russia, proskurnina@bsu.edu.ru

Issue:  Volume 37, №1

Rubric:  Russian Philology

Annotation:  This article is devoted to consideration of the perceptual picture of the world in the historical prose of I.I. Lazhechnikov terms of linguistic and cognitive approach. In particular, we study the problem of reproduction of the cognitive sphere of sensory perception in the language and specificity of the category of perceptively in historical discourse. The literary text is presented as the author's interpretation of reality through personal perception (perception). The paper presents the results of the analysis of texts of historical novels I.I. Lazhechnikov «The Last Novik», «Ice house», «Infidels» from the point of view of the interaction between language and perception. The perceptual picture of the world is a fragment of the language picture of the world of the artist, so the phenomenon of perception is viewed through the prism of the language world picture of I.I. Lazhechnikov. Describes one of the semantic fields, described in the language picture of the art world works – «Vision». Modus visual perception in the texts of novels be I.I.Lazhechnikov performs semantic and communicative functions. The article analyses the lexical means used by the novelist at the re-establishment of system of visual perception as the author of the works, and the main characters. The author's intent artistic works are realized through the modes of perception. The artistic mode of perception is one of the sources of the author, characters and reader information about the reality

Keywords:  mental representation, perception, cognition, artistic language picture of the world, perception

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